Best Part of Each Taylor Swift Album

Taylor Swift Album Covers

Because I was bored, I re-listened to Taylor Swiftโ€™s discography on the flight back to Manila. I first liked her as an artist in 2012, when she released RED. I wasnโ€™t a fan then, but it made me more open to 1989, which eventually turned me into a Swiftie.

When she drops an album, I listen to it in full. Some of them (like 1989) captured me instantly. Others (like Reputation) took some time to grow on me. But I remember, when I listened to these albums for the first time, ๐ญ๐ก๐ž๐ซ๐ž ๐ฐ๐š๐ฌ ๐š๐ฅ๐ฐ๐š๐ฒ๐ฌ ๐ญ๐ก๐š๐ญ ๐จ๐ง๐ž ๐ฆ๐จ๐ฆ๐ž๐ง๐ญ ๐ญ๐ก๐š๐ญ ๐ฐ๐จ๐ฎ๐ฅ๐ ๐ฌ๐ž๐ง๐ ๐ฌ๐ก๐ข๐ฏ๐ž๐ซ๐ฌ ๐๐จ๐ฐ๐ง ๐ฆ๐ฒ ๐ฌ๐ฉ๐ข๐ง๐ž, in a good way, in the best possible way. And this post is about those moments.

RED, Track #5: ๐€๐ฅ๐ฅ ๐“๐จ๐จ ๐–๐ž๐ฅ๐ฅ. That bridge when her voice soars, belting out, ๐˜ˆ๐˜ฏ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ ๐˜ค๐˜ข๐˜ญ๐˜ญ ๐˜ฎ๐˜ฆ ๐˜ถ๐˜ฑ ๐˜ข๐˜จ๐˜ข๐˜ช๐˜ฏ ๐˜ซ๐˜ถ๐˜ด๐˜ต ๐˜ต๐˜ฐ ๐˜ฃ๐˜ณ๐˜ฆ๐˜ข๐˜ฌ ๐˜ฎ๐˜ฆ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ข ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฎ๐˜ช๐˜ด๐˜ฆ. This is my all-time fave Swift song, and so I kinda didnโ€™t like the 10-minute version. I felt like it diluted the perfect buildup to this bridge.

1989, Track #3: ๐’๐ญ๐ฒ๐ฅ๐ž. Another bridge. That part when she screams, ๐˜›๐˜ข๐˜ฌ๐˜ฆ ๐˜ฎ๐˜ฆ ๐˜ฉ๐˜ฐ๐˜ฎ๐˜ฆ! ๐˜‘๐˜ถ๐˜ด๐˜ต ๐˜ต๐˜ข๐˜ฌ๐˜ฆ ๐˜ฎ๐˜ฆ ๐˜ฉ๐˜ฐ๐˜ฎ๐˜ฆ! (Out of the Woods is my fave in this album, though.)

REPUTATION, Track #5: ๐ƒ๐ž๐ฅ๐ข๐œ๐š๐ญ๐ž. When she softly whispers, ๐˜‹๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜จ๐˜ช๐˜ณ๐˜ญ๐˜ด ๐˜ฃ๐˜ข๐˜ค๐˜ฌ ๐˜ฉ๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ต๐˜ฐ๐˜ถ๐˜ค๐˜ฉ ๐˜บ๐˜ฐ๐˜ถ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ ๐˜ฅ๐˜ฐ? โ˜บ๏ธ
LOVER, Track #2: ๐‚๐ซ๐ฎ๐ž๐ฅ ๐’๐ฎ๐ฆ๐ฆ๐ž๐ซ. Not because of the lyrics, but I was just so thrilled when the first chorus kicked in. Such a catchy song, melody-wise. Shouldโ€™ve been a single.

FOLKLORE, Track #10: ๐ˆ๐ฅ๐ฅ๐ข๐œ๐ข๐ญ ๐€๐Ÿ๐Ÿ๐š๐ข๐ซ๐ฌ. The ending: ๐˜ˆ๐˜ฏ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ฅ๐˜ข๐˜ฎ๐˜ฏ ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ, ๐˜ง๐˜ฐ๐˜ณ ๐˜บ๐˜ฐ๐˜ถ ๐˜ ๐˜ธ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ณ๐˜ถ๐˜ช๐˜ฏ ๐˜ฎ๐˜บ๐˜ด๐˜ฆ๐˜ญ๐˜ง, ๐˜ข ๐˜ฎ๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ฐ๐˜ฏ ๐˜ญ๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ ๐˜ต๐˜ช๐˜ฎ๐˜ฆ๐˜ด.

EVERMORE, Track #15: ๐„๐ฏ๐ž๐ซ๐ฆ๐จ๐ซ๐ž (๐Ÿ๐ž๐š๐ญ๐ฎ๐ซ๐ข๐ง๐  ๐๐จ๐ง ๐ˆ๐ฏ๐ž๐ซ). The bridge again, Taylorโ€™s lines. ๐˜๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ณ๐˜ข๐˜ค๐˜ฌ๐˜ด ๐˜ฐ๐˜ง ๐˜ญ๐˜ช๐˜จ๐˜ฉ๐˜ต, ๐˜ ๐˜ฅ๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ง ๐˜บ๐˜ฐ๐˜ถ. ๐˜๐˜ต ๐˜ธ๐˜ข๐˜ด ๐˜ณ๐˜ฆ๐˜ข๐˜ญ ๐˜ฆ๐˜ฏ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ต๐˜ฐ ๐˜จ๐˜ฆ๐˜ต ๐˜ฎ๐˜ฆ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ. ๐˜‰๐˜ถ๐˜ต ๐˜ ๐˜ด๐˜ธ๐˜ฆ๐˜ข๐˜ณ, ๐˜บ๐˜ฐ๐˜ถ ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ. Made me tear up a little at first listen, kahit โ€˜di naman ako nakaka-relate. ๐Ÿ˜…

MIDNIGHTS, Track #1: ๐‹๐š๐ฏ๐ž๐ง๐๐ž๐ซ ๐‡๐š๐ณ๐ž. Not the lyrics, but that moment when the snare (?) hook starts leading to the chorus. I adore this song, but I still have mixed feelings about Midnights as a whole. Maybe because, to me, while Track 1 is wonderfully dreamy, it goes somewhat downhill from here.

Anyway, add ko lang din, since Reputation, I feel like her albums are all so unnecessarily lengthy. Folklore, Evermore, and Midnights would all have been more solid if she removed some of the sound-alike tracks!

โ€˜Yun lang, na-share ko lang naman.